British Classical Music: The Land of Lost Content: John Fox ...

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Tuesday, March 19, 2013

Benjamin Britten (1913-1976) Soliloquy & Prayer from Gloriana.

Posted on 11:00 PM by humpty

Gloriana Op.53 was completed by Benjamin Britten during 1952 and the early part of the following year. This was the composer’s eighth opera.  It was commissioned by Covent Garden as a part of the celebrations for the coronation of the present Queen, Elizabeth II and was dedicated to her ‘by gracious permission.’ The libretto was devised by the Anglo-African poet and novelist William Plomer (1903-1973) and is based on the ‘Bloomsbury Group’ author Lytton Strachey’s Elizabeth and Essex which had been published in 1928. Britten has remarked that he and Plomer were most inspired by the relationship between ‘the two protagonists’ and the strong supporting roles of Cecil and Walter Raleigh.

Her Majesty attended the first performance at Covent Garden on 8th June 1953, six days after the coronation.  Unfortunately, the Queen is said to have been unimpressed by the opera. The critical response is still subject to much debate; however there were few positive reviews for this work. The eclectic mix of prose and verse, sung and spoken text, archaic and modern English were seen as part of the problem. However, in a contemporary letter to The Times, Antony Lewis, of the Barber Institute of fine Arts at Birmingham University wrote that ‘...page after page of music of superb richness and invention testifies to ...excellence of the composer’s creative powers...’ He concludes by suggestion that it is ‘exhilarating thee hear a score that unfolds with such masterly confidence...Gloriana is indeed a worthy execution of the royal command.’

The Soliloquy and Prayer follows the scene where Essex has sung two lute songs to divert the queen. However Essex wants permission to sail to Ireland to suppress a rebellion in Tyrone. The Queen refuses and sends him away. The act ends with her praying that she ‘may rule and protect my people in peace’. Elizabeth is torn between love and duty. The queen kneels and prays to God for the strength and the grace to fulfil the high office to which she has been called.

Listen to the Soliloquy and Prayer on YouTube with Leontyne Price. 
Email ThisBlogThis!Share to XShare to Facebook
Posted in Benjamin Britten | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • Ernest Tomlinson: Little Serenade
    Ernest Tomlinson (b.1924) is one of the most prolific of all light music composers. He has been compositionally active since before the Seco...
  • York Bowen: Symphony No.2 in E minor, Op.31
    Until a few years ago York Bowen would have been a name known to precious few listeners, even those committed to British music. A number of ...
  • Frank Bridge & Cyril Scott Piano Quintets on BMS Label
    Frank BRIDGE (1879-1941) Piano Quintet in D minor, H49a (1904-5: rev.1912)   Cyril SCOTT (1879-1970) Piano Quintet No.1 (1924) Raphael Terr...
  • The Golden Age of Light Music: Bright & Breezy on Guild
    The Golden Age of Light Music: Bright and Breezy GUILD LIGHT MUSIC GLCD5180 There are some 81 volumes of Guild’s ‘Golden Age of Light Music’...
  • Alec Rowley: ‘Down Channel’ Overture
    This is one of the works that I have been waiting for. I first heard of this piece in Philip Scowcroft’s essay on ‘ English Composer’s for A...
  • David Dubery: Songs and Chamber Works
    David DUBERY (b.1948) Songs and Chamber music Sonatina for oboe and piano (Threesome for 2 players) (1986); Three Songs to Poems by Robert G...
  • (no title)
    Arthur Benjamin (1893-1960) Violin Concerto (1931) Romantic Fantasy for Violin, Viola and Orchestra (1936) Elegy, Waltz and Toccata [Viola ...
  • Arnold Bax: review of first recording of Tintagel.
    In 1929 Eugene Goossens and the New Symphony Orchestra made the first recording of Arnold Bax’s great tone-poem Tintagel . The critic W.R. A...
  • John Rutter: Shepherd’s Pipe Carol
    My earliest introduction to the music of John Rutter was the second volume of Carols for Choirs . It was in use by Coatbridge High School ‘s...
  • Deems Taylor: Suite, Through the Looking Glass
    I know that Deems Taylor is not British, but I feel that the new release of his Suite, ‘Through the Looking Glass’ on the Naxos CD label is ...

Categories

  • Adam Pounds
  • Adam Saunders
  • Adrian Boult
  • Alan Rawsthorne
  • Alec Rowley
  • Alfred Hollins
  • Algernon Ashton
  • Alun Hoddinott
  • Angela Morley
  • Anthony Burgess
  • Antony Hopkins
  • Arnold Bax
  • Arthur Benjamin
  • Arthur Bliss
  • Arthur Butterworth
  • Arthur Somervell
  • Arthur Sullivan
  • Benjamin Britten
  • Bernard Stevens
  • Bill Worland
  • Book Reviews
  • Brian Easdale
  • British Film Music
  • British Light Music
  • C.W. Orr
  • Carlo Martelli
  • Charles Halle
  • Charles Hubert Hasting Parry
  • Charles Shadwell
  • Charles Villiers Stanford
  • Charles Williams
  • Cheltenham Festival
  • Christopher Wright
  • Claude Debussy
  • Clive Richardson
  • Concert Series
  • Cyril Cork
  • Cyril Scott
  • Cyril Watters
  • David Bedford
  • David Dubery
  • David Ellis
  • David Jennings
  • Deems Taylor
  • Don Banks
  • Donald Harris
  • E.J. Moeran
  • Edward Elgar
  • Edward German
  • Eileen Joyce
  • Elisabeth Lutyens
  • Eric Coates
  • Eric Craven
  • Eric H. Thiman
  • Erik Chisholm
  • Ernest Tomlinson
  • Ethel Smyth
  • Eugene Goossens
  • Felix Mendelssohn
  • Felix White
  • Festival of Britain
  • Francis Edward Bache
  • Frank Bridge
  • Frank Merrick
  • Frank Tapp
  • Franz Reizenstein
  • Frederic Curzon
  • Frederic Hymen Cowen
  • Frederick Delius
  • G.W.L. Marshall-Hall
  • Gareth Glyn
  • George Frederic Handel
  • George French
  • George Lloyd
  • George Macfarren
  • George Melachrino
  • Gerald Finzi
  • Gilbert and Sullivan
  • Gordon Crosse
  • Granville Bantock
  • Greville Cooke
  • Gustav Holst
  • Gustav Mahler
  • Hamilton Harty
  • Hamish MacCunn
  • Harriet Cohen
  • Harry Farjeon
  • Havergal Brian
  • Haydn Wood
  • Hector Berlioz
  • Henry Walford Davies
  • Henry Wood Promenade Concerts
  • Herbert Brewer
  • Herbert Howells
  • Herbert Sumsion
  • Herman Finck
  • Humphrey Searle
  • Ian Venables
  • Ignaz Moscheles
  • Ina Boyle
  • Irene Scharrer
  • J.S. Bach
  • James Friskin
  • Johann Baptist Cramer
  • John Addison
  • John Ansell
  • John Anthill
  • John Blackwood McEwen
  • John Carmichael
  • John Cook
  • John Fox
  • John Holliday
  • John Ireland
  • John Joubert
  • John McCabe
  • John Purser
  • John Rutter
  • Jonathan Harvey
  • Josef Holbrooke
  • Judith Bailey
  • Julius Harrison
  • Kathleen Ferrier
  • Kenneth Leighton
  • Len Stevens
  • Lennox Berkeley
  • Lionel Monckton
  • Lost Music
  • Malcolm Arnold
  • Malcolm Sargent
  • Malcolm Williamson
  • Marcus Dods
  • Matyas Seiber
  • Maurice Greene
  • Montague Phillips
  • Moura Lympany
  • Myra Hess
  • Paul Lewis
  • Percy Fletcher
  • Percy Scholes
  • Percy Whitlock
  • Peter Dickinson
  • Peter Hope
  • Peter Maxwell Davies
  • Peter Racine Fricker
  • Peter Yorke
  • Philip Lane
  • Philip Sawyers
  • Promenade Concerts
  • Ralph Greaves
  • Ralph Vaughan Williams
  • Richard Addinsell
  • Robert Farnon
  • Robert Still
  • Roberto Gerhard
  • Robin Holloway
  • Roger Quilter
  • Ronald Binge
  • Ronald Stevenson
  • Sergei Rachmaninoff
  • Spike Huges
  • Stanley Wilson
  • Theodore Holland
  • Thomas Dunhill
  • Tobias Matthay
  • Trevor Duncan
  • Vivian Ellis
  • Walter Carroll
  • William Alwyn
  • William Blezard
  • William Lloyd Webber
  • William Mathias
  • William Sterndale Bennett
  • William Walton
  • William Wolstenholme
  • York Bowen

Blog Archive

  • ►  2015 (4)
    • ►  January (4)
  • ►  2014 (123)
    • ►  December (10)
    • ►  November (10)
    • ►  October (11)
    • ►  September (10)
    • ►  August (10)
    • ►  July (11)
    • ►  June (10)
    • ►  May (10)
    • ►  April (10)
    • ►  March (10)
    • ►  February (10)
    • ►  January (11)
  • ▼  2013 (122)
    • ►  December (11)
    • ►  November (10)
    • ►  October (10)
    • ►  September (10)
    • ►  August (11)
    • ►  July (10)
    • ►  June (10)
    • ►  May (11)
    • ►  April (9)
    • ▼  March (11)
      • Some Gems from Punch, 1903 style.
      • Sir Herbert Brewer & Handel's Messiah
      • Stanford and German in New York, 1907
      • 20th Century English Recorder Works
      • Benjamin Britten (1913-1976) Soliloquy & Prayer fr...
      • Frank Bridge & Cyril Scott Piano Quintets on BMS L...
      • Theodore Holland: Ellingham Marshes for Viola and ...
      • John McCabe Choral Music on Naxos
      • Harry Farjeon: Idyll for Oboe & Orchestra
      • Some Rare Victorian British Opera Overtures on SOMM
      • The Promenade Concerts 1963 – Novelties
    • ►  February (9)
    • ►  January (10)
  • ►  2012 (137)
    • ►  December (11)
    • ►  November (10)
    • ►  October (10)
    • ►  September (11)
    • ►  August (12)
    • ►  July (13)
    • ►  June (11)
    • ►  May (13)
    • ►  April (12)
    • ►  March (11)
    • ►  February (12)
    • ►  January (11)
  • ►  2011 (114)
    • ►  December (13)
    • ►  November (12)
    • ►  October (12)
    • ►  September (12)
    • ►  August (13)
    • ►  July (14)
    • ►  June (14)
    • ►  May (14)
    • ►  April (10)
Powered by Blogger.

About Me

humpty
View my complete profile