
Clive Richardson is probably best known for his ‘major’ light music works such as the wartime London Fantasia for piano and orchestra (1942) and his railway inspired miniatures such as Melody on the Move and Running off the Rails. Perhaps less well-known is the fact the he provided the score for Will Hay’s film masterpiece Oh Mr. Porter (1937).
Beachcomber opens almost quietly but comically with a catchy bassoon melody – soon this is joined by other woodwinds. After this material has played out the middle ‘eight’ is given on strings with light percussion. It is a lot more romantic. The brass section adds their commentary on the proceedings. And then there is even a Spanish moment complete with castanets. However, the bassoon melody always seems to be in the background. The work ends as quietly as it begins.
Ernest Tomlinson has described this work as presenting the image of ‘walking idly along the sea-coast, inspecting the miscellaneous debris brought in by the tides...’ Perhaps it is as he suggests the retired socialite or businessman who has opted for a quiet life by the seaside? Or maybe it is just two lovers passing the time of day? Whatever the background, this is a relaxing piece of music that does not ask too much of the listener.
Clive Richardson’s Beachcomber can be heard on Hyperion CDA66968or Marco Polo 8.223522.
0 comments:
Post a Comment